A cluster of meaning dissipates. During the 2019 protests in the center of Santiago de Chile and around Plaza Dignidad, there are many diverse components involved: flags, posters and slogans, activism and militancy, communities, nations, societies, cosmopolitics, and other ontological furnishings,[1] shapes with defined and stable outlines, others imperceptible and porous, all kinds of signs. Speakers sing refrains by Víctor Jara, Los Prisioneros, ?Bella Ciao,? Quilapayún, Inti-Illimani, or the people united will never be defeated. The political traditions of the left, their performances, and their deep-rooted erotic-sexual norms. The ways of protesting, of territorializing public space and the cultural codes implicit in this legacy: a certain expansive, white masculinization of the streets, of marches and rallies. This leftist culture, its cultural codes, normative stereotypes, and erotic genealogy is overtaken by an overflowing agitation, a molecular dance: choreographies and many dance steps, an otaku hairstyle and Cosplay character drag, manga paraphernalia, pins, fluorescent dyed hair, and a lot of anime references.